Archive | January, 2010

More reviews, reviews, reviews!

More great reviews this week for Across the Atlantic! 4 stars out of 5 in Q Magazine (Will be in the March issue) Plus, Q Magazine put Ramblin’ on their list of one of the 50 essential tracks to download for that month!

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Sarah Macdougall – ‘Across The Atlantic’ (Copperspine)

From Canada via Stockholm, Sarah Macdougall gets things off to a rumbustious start with ‘Ballad Of Sherri’, a cantering klezmer piece that had me anticipating all manner of inventions across the next nine tracks. Next song ‘Ramblin” is a bit too much of a style leap to sit really comfortably with the album opener though, it sounds gorgeous but also plods a little too slowly towards what I began to fear was a prematurely MOR conclusion. Not,of course, so: ‘Cry Wolf’ is a jolly old barndance foottapper, and the rest of the album alternates between fast and slow numbers with near-mechanical regularity.

What really kept me, and quite possibly you, listening to ‘Across The Atlantic’ is its production quality. It is the most expensive sounding album I’ve heard for some time, and its guitars, percussion, and Sarah Macdougall herself sound quite stunning. There is a depth and clarity to the sound that you simply don’t get using pro tools and the whole thing oozes richness and will make your tinny little stereo sound like a hugely overpriced wall to wall system designed for some billionaire’s hideaway in the Maldives. ‘Where Do Birds Go To Die?’ asks Sarah during the softly wistful 8th track ‘I’ve Got Sorrow’, and I know the answer to that one; they go round to your place, Ms Macdougall, where your combination of near perfect diction and sultry phrasing quite probably knocks all those poor little pigeons clean out of their trees. Got a hi-fi store? Put this on and watch your stock practically walk out of your shop.
http://sarahmacdougall.com

JG


 

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http://www.music-cultcha.c o.uk/album-reviews/article.php?contentID=17846
Across The Atlantic
Sarah MacDougall
Copperspine Records 

6/10

Telling tales of train jumping and dancing in the rain, alt. Country/ indie folksinger Sarah MacDougall sails blissfully into our mindscapes with “Across the Atlantic”

What do you get when you combine softened melodies with lyrics of a quirky yet poignant disposition and not to mention raw unabashed vocals? You get an arousing debut release from Swedish born, Canadian based songwriter Sarah MacDougall. Already being compared to the likes of Eliza Gilkyson and fellow Canadian native Leslie Feist, MacDougall brings together a self-produced endeavour that is sure to attract attention from both sides of the Atlantic.

Blissfully executed, ‘Across The Atlantic’ ranges from the jolty kitsch intro of ‘Ballad of Sherri’, to infectiously bittersweet ‘Hundred Dollar Bills’, to the barn yard toe tapping country stomper ‘Biggest Mistake’. Adept at creating that rousingly joyous track such as ‘Cry Wolf’ on the album, she shows herself to be just as proficient at producing a melancholy anthem or two. Each song on this album possesses its own rich beauty that’s made all the better by the quality of MacDougall’s vocals. Raw, engaging and ultimately heart warming, it’s a voice and sound that undoubtedly sticks in your head.
myspace

Michael Ajayi


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Review in the Irish Times!****

Across the Atlantic album coverlowressmall

http://www.irishtimes.com/newspaper/theticket/2010/0115/1224262332626.html

Sarah MacDougall

JOE BREEN

Across the Atlantic , Copperspine Records ****

Born in Sweden and now based in Canada, Sarah MacDougall draws from both sides of the Atlantic, displaying an eclecticism that colours her uplifting music.

She could be described as indie folk with a strong hint of country, but perhaps the best description of this impressive debut is in her online biography: “I wanted to write an album that sticks in your head and grabs a hold of your heart.” Self-produced, with some tracks recorded in her bedroom, Across the Atlantic matches her ambition with songs, such as Ballad of Sherri, infused with character and invention. If the gentle bounce of that track sets the tone for the upbeat side, then the title track, lyrically rich with a smart arrangement, captures her more reflective side. She is some way short of the finished article, but this is an auspicious start. www.sarahmacdougall.com

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Tomorrow in my favourite city Stockholm

Hello and happy new year!

I am on my way to Stockholm, and just wanted to say that I have got a little last minute show, opening for Nicolai Dunger, a wonderful Swedish singer-songwriter, at Mosebacke in Stockholm. This is such a great place, I can’t wait. So if you love good music, and you are in Stockholm tomorrow (Jan 7), come to Mosebacke!

Here is to a great new year with lots of art and music, and lots of love for all……………..and more money. hehe it’s all about the money! : )  (but mostly about the music…..)

XOXO

sarah

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review: Shakenstir (uk) 4/5


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http://www.shakenstir.co.uk/index.php/reviews/last-reviews-of-2009/reviews/13644/

Sarah MacDougall ACROSS THE ANTLANTIC (Copperspine Records). Release Date: 25 January 2010.

MacDougall is a Swedish-born alt country/indie folk singer/songwriter based in Canada. This album is her first official release and has been produced and engineered by her. “I wanted to write an album that sticks in your head and grabs a hold of your heart” says MacDougall. “And I also wanted to prove myself as a producer and audio-engineer, because I am incredibly passionate about sound!”

Well, congratulations Sarah, you’ve nailed it! Listen to the firt track ‘Ballad Of Sherri’ and you will see exactly what this lady is on about. It opens sounding like something coming out of an old valve radio, then about the middle-eight it opens out in modern audio style. It’s upbeat with a monster melody, a great vocal quality, and dare I say it, a sense of fun. Glorious! ‘Ramblin’ is contemplative, gently rolling love song with country guitar wailing away in the background, and an expressive vocal up-front. There’s a bar-room vibe on ‘Cry Wolf’ which bounds along in true country style. ‘Across The Atlantic’ goes reflective and emo with perhaps the most moving vibe on the record. Beautiful. ‘Hundred Dollar Bills’ has a retro feel that mixes dark and light perfectly. ‘Biggest Mistake’ has a pronounced beat – a real foot-tapper. ‘I’ve Got Sorrow’ moves at glacial pace with gorgeous multi-layered vocals, while ‘Crow’s Lament’ has a distinctly retro, continental feel. Finally, ‘Goodbye Julie’ completes the album on a sad and thoughtful note, and is a standout here.

4/5


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